Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Alexander Roslin
Portrait of the artist Marie Therese Reboul wife of Joseph-Marie Vien

ID: 78719

Alexander Roslin Portrait of the artist Marie Therese Reboul wife of Joseph-Marie Vien
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Alexander Roslin Portrait of the artist Marie Therese Reboul wife of Joseph-Marie Vien


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Alexander Roslin

1718--93 Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter.   Related Paintings of Alexander Roslin :. | alexis piron | Portrait of Count Chernyshev | johan pasch | The Comtesse d'Egmont Pignatelli in Spanish Costume | hertig karl |
Related Artists:
Wassnezow, Wiktor Michajlowitsch
painted Drei Koniginnen des unterirdischen Reiches in 1879
Karl Julius von Leypold
German, 1805-1874
Bela Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.






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